The House doesn’t do enough to lend weight to the claim that it always wins.

However, when a dodgy town council official robs her of a lucrative scholarship, the parents must somehow cook up the cash – which leads them to starting a casino in their basement (the only logical solution, naturally) with the help of their friend Frank (Jason Mantzoukas).
Pairing two Saturday Night Live alumni such as Ferrell and Poehler on the surface feels like a slam-dunk; they make for an undeniably funny duo that pop and whizz around like a loose firecracker. Poehler, in particular, always commits to a bit and doesn’t let up, even if sometimes it is a detriment to that specific scene – the freewheeling improvisational nature of the film means some scenes feel flabby and overplayed.

The central duo is likeable enough to carry the film home, even if some of the humour strays too far. That being said, Ferrell seems strangely low-key this time around, nowhere near as outlandish or wrapped up in a character than he was in some of his earlier work like Anchorman, Zoolander or Talladega Nights. Like in Daddy’s Home, he’s almost on autopilot in The House.
There are a couple of cool cameos that plump up the fun – Alexandra Daddario and, strangely, Jeremy Renner as a rival casino boss.
The Verdict: 5/10
I wish I had more to comment on but The House is just one of those fleeting experiences that flies in one ear and out the other – you probably won’t be reciting quotes at your friends in the car home, let alone in a week or two.
The House is in cinemas across Australia now.
No comments:
Post a Comment