Director Lulu Wang grapples with the complexities of family in her new film, The Farewell.

This doesn't sit right with Billi. Having grown up in the States, she finds the idea of hiding the truth from Nai Nai upsetting and cruel – but her extended family is insistent that Nai Nai mustn't know about her tragic diagnosis.
The Farewell presents a classic clashing of cultures; east meets west, young meets old. It also deftly captures the complexity of family; the contradictions and the vying agendas that jostle around the dinner table or in the kitchen.
The film moves through a myriad of emotions, with some scenes turning from joy and delight to despair and sorrow on a dime. Wang's dialogue wonderfully captures the gentle tug-of-war between Billi and her more traditional elders. The characters are so well drawn and immediately engaging, without indulging in overblown melodrama.

More than anything, Wang's film captures the unique homesickness that comes with being an immigrant. It might be rooted in the Asian diaspora and deal with Asian ideals and values, but The Farewell speaks to anyone who is separated from their family – myself included.
The scene where Billi bids a final farewell to her beloved Nai Nai, unsure if or when she would see her again, felt less like a story I was being shown and more like a memory I was able to recall. I've been there, in her shoes. Sharing those same feelings. Crying those same tears.
The Verdict: 9/10
A raw and authentic look at family dynamics and the immigrant experience. It's been a week since I saw this film and the power in its ending is still rattling around inside by head. It looks gorgeous and is very well-acted. Awkwafina should be in the Oscars conversation.
The Farewell is in cinemas across Australia now.
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