Despite a
directionless script and broken moral compass, Black Mass marks a turning point
in the faltering career of Johnny Depp.
When you think about Johnny
Depp, what springs to mind? You’re most likely imagining an assortment of
wacky characters and silly hats surrounded by gothic melodrama, right? Well,
prepare to have that image shattered by Black Mass, Depp’s first film in a
long while that dispenses with flamboyance and instead focuses on intense
character drama.
From director Scott
Cooper, Black Mass is a biopic about
James ‘Whitey’ Bulger (Depp), one of Boston’s most notorious gangsters during
the late 70’s and early 80’s; it’s a classic tale of rags to riches that sees
Depp headline an impressive cast that incorporates Benedict Cumberbatch as Whitey’s senatorial brother William, Joel Edgarton as John Connolly, a
crooked cop inside the FBI, and Dakota
Johnson, Whitey’s long-suffering wife Lindsey.
This might not be Depp’s first foray into the gangster
genre (he previously teamed-up with Michael
Mann to play the iconic John Dillinger in 2009’s Public Enemies), but it
is his most fascinating. By eschewing his trademark larger-than-life characters
for something a more muscular, Depp disappears into the otherwise conventional role
and makes it one of his most memorable in years. Dripping with malice and
driven by a voracious thirst for blood, Whitey is a cookie-cutter character
whose motivations and arc are substantially elevated by Depp’s unsettling
performance. The tension skyrockets whenever Depp strides onto screen; you’re
never quite sure whether he’s going to hug someone, or shank them.
Meanwhile, hot on the heels of his outstanding
directorial debut in The Gift, Edgarton continues to
excel with another compelling and nuanced performance. Connolly is the character
with the most depth here, and Edgarton sinks his teeth into the role with
aplomb; cunning, intelligent and increasingly desperate, Connolly’s frantic
efforts to cover his tracks make for some of the films lighter moments, whilst
the domestic drama at home with his wife Marianne (Julianne Nicholson) keeps the tension tightly wound.
However, two great characters aren’t enough to save this
film from sliding into mediocrity; despite his compelling lead duo, Cooper fails to breathe life into a
flat screenplay that fizzes to an unsatisfying and muted finale. After starting
strong, the final third of this film felt disappointingly unambitious and we’re
left with an underwhelming conclusion where all the loose ends are resolved
through conventional ‘where are they now’ credits.
Furthermore, I felt that the film lacked a clearly
defined emotional anchor; Depp and Edgarton may give brilliant performances,
but at the end of the day they’re still unlikeable people doing immoral things.
Devoid of an honest do-gooder to put them in their place, the film feels
desperately bleak and hollow; Kevin
Bacon, Adam Scott and Corey Stoll are the closest we get to
‘heroes’, but they’re left to float around on the periphery saying little and
doing even less.
The Verdict: 6/10
As a result, the film loses steam somewhere in the middle
and never recaptures it. Black Mass
isn’t a bad film; it just doesn’t quite know how to fit all the elements
together to make a satisfying whole. Depp’s performance alone makes this film
worth a watch, but don’t expect the narrative to transcend the tight confines on
the genre. And the less said about Cumberbatch’s gawky Boston accent, the
better.
Black Mass is in cinemas across Australia from tomorrow (Thursday October 8)
This review was originally published over at Hooked on Film, a Perth based website where you can find even more new release movie reviews, features, interviews and insight. Click here to check it out.
I really did like this movie more than everyone else. lol
ReplyDeleteNo shame, Depp was great. I do hope the DVD includes all those cut scenes though.Nice write up!
That's cool, I'm sure loads of people got more from it than I did. I just found the story a little meandering in places. Thanks for commenting Brittani! :)
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